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      <image:title>Art - John Biggers: My America - Make it stand out</image:title>
      <image:caption>John Biggers and his art</image:caption>
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      <image:title>Art - John Biggers: My America</image:title>
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      <image:title>Art - John Biggers: My America</image:title>
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      <image:title>Art - Mil Besos - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Art - Mil Besos</image:title>
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    <loc>https://www.juliamortonmedia.com/reviews/city-of-apples-rjlgx</loc>
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      <image:title>Art - Walk the Line - Make it stand out</image:title>
      <image:caption>Su-Mei Tse Proposition de détour, 2006</image:caption>
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    <lastmod>2025-07-29</lastmod>
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      <image:title>Art - Default State Network - CHRIS DUNCAN</image:title>
      <image:caption>CHRIS DUNCAN</image:caption>
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      <image:title>Art - Default State Network - RYAN WALLACE, GLEN BALDRIDGE, JAQ CHARTIER, N. DASH, ALEX DODGE, CHRIS DUNCAN, ELISE FERGUSON, JOSEPH HART, KEEGAN MCHARGUE, HILARY PECIS, ANDREW SCHOULTZ, WILL YACKULIC</image:title>
      <image:caption>CURATED BY RYAN WALLACE for MORGAN LEHMAN</image:caption>
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      <image:title>Art - Default State Network - ALEX DODGE</image:title>
      <image:caption>ALEX DODGE</image:caption>
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      <image:title>Art - Default State Network - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://www.juliamortonmedia.com/reviews/tag/John+Biggers</loc>
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    <loc>https://www.juliamortonmedia.com/reviews/tag/Alex+Dodge</loc>
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    <loc>https://www.juliamortonmedia.com/reviews/tag/Ryan+Wallace</loc>
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    <loc>https://www.juliamortonmedia.com/reviews/tag/Michael+Rosenfeld+gallery</loc>
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    <loc>https://www.juliamortonmedia.com/reviews/tag/African-American+Art</loc>
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    <loc>https://www.juliamortonmedia.com/reviews/tag/Morgan+Lehman+Gallery</loc>
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    <loc>https://www.juliamortonmedia.com/reviews/tag/Su-Mei+Tse</loc>
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    <lastmod>2022-02-16</lastmod>
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    <loc>https://www.juliamortonmedia.com/blog-2/blog-post-title-two-ecg5g</loc>
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    <lastmod>2025-07-29</lastmod>
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      <image:title>Essays - Adaption and Adoption - End (O) by Alba Corral</image:title>
      <image:caption>Alba Corral has coded a new lifeform in her video titled End(O). (O) wakes on the monitor, which serves as its world, and breathing its first breaths, it begins to explore the limits of its coded existence. Bouncing off the walls, turning colors, and spinning seem to be its purpose in life. It also appears to be watching us. And even seems to enjoy terrorizing viewers by jumping out like a bug. Is it trying to communicate? Is it happy, or does it feel trapped? In an effort to understand, we assign meaning and emotions to the alien's behavior. As "it" settles down, we regain our awareness that End(O) is just code. It's not real, it’s a work of art. Turn off the video, and it's gone. Still, the work leads us to wonder what "real life" will become as technology evolves? Leo Bleicher is another generative art pioneer. He refers to his creative process as evolutionary, and his "Impossible Sculptures" challenge our perception of physics. With their twisted limbs and synthetic appeal, they push the limits of familiar beauty and activate our desire to make sense of all things. Bleicher admits that his traditional sensibilities have adapted to the unfamiliar possibilities of code, math, AI, and learning machines over time. Technology has added new terrain to his artistic landscape by altering how he thinks about reality.</image:caption>
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      <image:title>Essays - Adaption and Adoption - Impossible Sculpture by Leo Bleicher</image:title>
      <image:caption>Adapting is an age-old survival strategy that can lead to adoption and then on to evolution. This dual approach has saved us from extinction more than once. The human race is rapidly moving toward the era when we will intentional evolve, just like End (O), we will change our bodies to suit new environments and developing new ways of being along the way. Contemporary art may not always be comforting, but it can guide the approaching unfamiliar.</image:caption>
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    <lastmod>2025-07-29</lastmod>
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      <image:title>Essays - Thoughts in Action - Alba Corral on stage coding the video performance of Hoth</image:title>
      <image:caption>Corral’s videos and printed stills highlight the vastness of the decision-making process that goes into the construction of art that is generated by code. Though she begins her performances with a general plan of action, they are spontaneous events, so when we view her pieces, we are seeing human creativity elegantly demonstrated.</image:caption>
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      <image:title>Essays - Thoughts in Action - Corral performing on stage at the Eufònic festival in Terres de l'Ebre. The ceiling is her video canvas.</image:title>
      <image:caption>Corral’s background in computer engineering, combined with her eye for art, has allowed her to craft a distinct style. Over the past several years, Corral has exhibited at festivals and events across Europe, Mexico, Japan &amp; the USA. Her performances have won awards, and she is now using her good eye to curator Eufònic, a festival of performing arts celebrated in Terres de l'Ebre, Spain.</image:caption>
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      <image:title>Essays - Thoughts in Action - Icc 007 by Alba Corral, digital grab on metal</image:title>
      <image:caption>Using algorithms found in nature as building blocks, she begins with a few simple lines that multiply into intricate forms that entwine to create still larger structures. The drawing process is so compelling; you may find yourself merging with her, trying to anticipate her next move. The colors bleed while patterns multiply, twisting and unfolding like living organisms. We recognize life in her machine-made forms.</image:caption>
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      <image:title>Essays - Thoughts in Action - Alba Corral exhibition at Generative Art Project, 2019</image:title>
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    <lastmod>2025-07-29</lastmod>
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      <image:title>Essays - Synthetic Aesthetic - Human Connectome II by James Pricer</image:title>
      <image:caption>James Pricer’s Human Connectome II draws on fMRI data from the mapping of brain synapses. His abstracted pictures reveal the sweeping paths of consciousness beginning with a single line that quickly multiplies, overlaps, and spawns disconnected ideas. The patterns we detect and the meanings we assigned them generate an internal response that syncs with the image. We are actually seeing human thought in action via the visualized data.</image:caption>
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      <image:title>Essays - Synthetic Aesthetic - The Long Walk by Simon Russell</image:title>
      <image:caption>Simulating the phenomenon of synesthesia in The Long Walk, Simon Russell merges your sense of sight and sound, he creates an experience of perception that borders on the transcendental. Influenced by the synesthetic theories of the early 20th century painter Wassily Kandinsky, Russell’s immersive revelation exemplifies the ability of generative art to disrupt ordinary reality.</image:caption>
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      <image:title>Essays - Synthetic Aesthetic - Sky Report by Sean Capone ( a still from the video)</image:title>
      <image:caption>Sky Report, artist Sean Capone’s ambient video, slowly reveals a phantasmagoric world of wonder where sparkling stars become scribbling sketches and primordial ooze blossoms with delicate flowers that dissolve into disco-baroque wallpaper. His uncanny illusions are delightful and disorienting. As Capone says, “the ‘space of the screen’ is no longer just a surface to be viewed, but an environment to be entered and experienced.”</image:caption>
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      <image:title>Generative Art Project</image:title>
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      <image:title>Generative Art Project</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61647dae2509813019bb6a21/dafae4dd-a84b-4114-849f-41393580e744/Composition+6.JPG</image:loc>
      <image:title>Generative Art Project</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61647dae2509813019bb6a21/d349039c-0267-4fdb-87d6-6efb7e840264/1+THE+WELL+BLACK++IMG_0531+POST+1+%2800000%29.jpg</image:loc>
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  <url>
    <loc>https://www.juliamortonmedia.com/women-then</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-12-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61647dae2509813019bb6a21/076c41c2-7bea-4200-b656-7698520d0138/screenshot_477+2.jpg</image:loc>
      <image:title>Women Then - Women Then, Jerry Schatzberg: Photographs 1954-1969 (Rizzoli) The Right Guy at the Right Time in the Right Place</image:title>
      <image:caption>Jerry Schatzberg was the guy, and the place was New York City at the dawn of the postmodern age-the 1950s to the 1970s. Stimulated by the post-war boom, this was an age of transformation punctuated by firsts in science, the arts, and civil rights. Women were also in a state of transition. Modern inventions were making their lives easier and society in general was becoming less formal. By posing captivating couples playing chess in the park, or shopping together, the photographer was portraying women and men as peers. Just a decade earlier, photos like these would not have been believable. The cultural liberation of the age can be seen as women boldly throw their skirts up, smoke cigarettes while staring hard into the eye of the camera, and live independently. This self-assurance was a new kind of beauty and Schatzberg captured its spirit…</image:caption>
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      <image:title>Women Then</image:title>
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      <image:title>Women Then</image:title>
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      <image:title>Women Then</image:title>
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      <image:title>Women Then</image:title>
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      <image:title>Women Then</image:title>
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      <image:title>Women Then</image:title>
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  <url>
    <loc>https://www.juliamortonmedia.com/paris-62</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-12-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61647dae2509813019bb6a21/1635362772384-KZJHX60BLANYF0HSC3HB/Yves%2BSt%2BLaurent%2Bshow%252C%2BParis%2B62</image:loc>
      <image:title>Paris 62 - Paris 62 Photographs by Jerry Schatzberg, Introduction Patricia Bosworth, Essay Julia Morton (Rizzoli) 2008</image:title>
      <image:caption>In the late 1950s, fashion photographers had become part of the international jet set, due in large part to movies such as Funny Face. Although best known at the time for his celebrity portraits and fashion photos, Jerry Schatzberg’s unique “street style” images impressed Esquire Magazine, which hired him to shoot the Paris collections for a cheeky fashion photo spread titled The Silken Jungle. The photographs presented in this book are taken from that assignment. The Series begins with the arrival of the couture guest, bedecked and bejeweled they meet and greet with cool kisses and hot gosip. “My interest was not in the clothes, but the human behavior”, Schatzberg explained. Through his lens you watch the various cliques gather, including the powerful American Vogue editor Jessica Daves, holding court like a mob boss in her dark sunglasses. Moving backstage, Schatzberg notes that nerves are getting the best of the young designer Yves Saint Laurent and his models. This was Saint Laurent’s first solo collection and he had plenty to be anxious about, for waiting in his newly minted salon was an audience of fashion connoisseurs, whose negative reviews could end his career.</image:caption>
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      <image:title>Paris 62</image:title>
      <image:caption>French Vogue editor Edmonde Charles-Roux talks with American Vogue editor Jessica Daves</image:caption>
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      <image:title>Paris 62</image:title>
      <image:caption>Book cover</image:caption>
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      <image:title>Paris 62</image:title>
      <image:caption>Yves St Laurent gets clients kiss of approval</image:caption>
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      <image:title>Paris 62</image:title>
      <image:caption>Victoire in Yves St Laurent hat</image:caption>
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      <image:title>Paris 62</image:title>
      <image:caption>Model Tania Mallet with photographer Tom Palumbo on set</image:caption>
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      <image:title>Paris 62</image:title>
      <image:caption>Photographer Helmut Newton on set</image:caption>
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  </url>
  <url>
    <loc>https://www.juliamortonmedia.com/kent-williams-amalgam</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-12-07</lastmod>
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      <image:title>Kent Williams: Amalgam - Kent Williams:Amalgam Paintings and Drawings 1992-2007 Introduction Edward Lucie-Smith, essay Julia Morton</image:title>
      <image:caption>At first glance, Kent Williams’ cinematic paintings and soul-searing quandaries can be startling. As art writer Phillip Jullian states, “After admiring so many abstracts, it takes a considerable effort to admit that the subject of a picture is important.” By casting aspects of his private life onto the public stage in the form of timeless moral dilemmas, Williams has reinstated the importance of subjects, and taken back the role of narrator. “I like work that’s pushed and non-conservative,” Williams explains “but for the sake of emotive resonance, not in lieu of it.”</image:caption>
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      <image:title>Kent Williams: Amalgam</image:title>
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      <image:title>Kent Williams: Amalgam</image:title>
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      <image:title>Kent Williams: Amalgam</image:title>
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  </url>
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    <lastmod>2021-12-08</lastmod>
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